Presented at the Multi room of the Méduse cooperative
1:00(without intermission)
In English and Korean, with English and French surtitles
CAMPO (Ghent (Belgium))
The Hamartia Trilogy is composed of three short solo pieces performed by author Jaha Koo, a South Korean multidisciplinary artist based in Belgium. The word hamartia derives from Greek tragedy and refers to a hero’s flaw or defect that leads to their downfall. The shows form one single whole but can be enjoyed independently in no chronological order.
The exceptionally inventive theatre of the trilogy is inspired by documentaries, history and autobiography. These three gems sparkle with humour and poetry, combining technological precision, tender words, a sharp yet compassionate social critique and a profound humanity.
Cuckoo is the most popular brand of rice cooker in South Korea. This show deals with the enormous pressure that the economic system has placed on society, including the workforce, since the crisis of the ’90s that sparked violent demonstrations. Unemployment and social isolation, especially in such a highly technological world, have caused enduring distress among the population, particularly young people, resulting in rampant depression and suicide. The creator is joined on stage by three speaking rice cookers, depicting the metaphoric pressure, who exude a joyful verve despite the topic at hand.
Producteur Kunstenwerkplaats Pianofabriek
Excecutive producer CAMPO
Coproducteurs Bâtard Festival
Concept, direction, text, music, video Jaha Koo
Performance Hana, Duri, Seri & Jaha Koo
Cuckoo hacking Idella Craddock
Scenography, media operation Eunkyung Jeong
Dramaturgical advice Dries Douibi
Technical Tom Daniels
Production assistant Jihye Han
Support CAMPO, STUK, BUDA, DAS, SFAC & Noorderzon / Grand Theatre Groningen
Funded by Vlaamse Gemeenschapscommissie
