{"id":2688,"date":"2026-02-17T05:00:00","date_gmt":"2026-02-17T10:00:00","guid":{"rendered":"https:\/\/carrefourtheatre.qc.ca\/cultural-shows-quebec-city\/vampyr\/"},"modified":"2026-05-14T14:07:30","modified_gmt":"2026-05-14T19:07:30","slug":"vampyr-en","status":"publish","type":"event","link":"https:\/\/carrefourtheatre.qc.ca\/en\/cultural-shows-quebec-city\/vampyr-en\/","title":{"rendered":"Vampyr"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">There are rumours. There was an incident Friday morning. An incident which prompted the report. The impact report. The environmental impact report. It is important to talk to everyone. The night workers. The wind turbine company directors. And do not forget the bats. Discover the incredible physical play of actors&nbsp;David&nbsp;Gaete&nbsp;and&nbsp;Marcela&nbsp;Salinas in this ecogothic satire. The Chilean Manuela Infante revisits with cutting humour the myth of the vampire in its South American version. But isn&#8217;t insatiability and purely human characteristic ?<\/p>\n\n\n\n<section class=\"wp-block-group wp-pattern__gallery wp-pattern__gallery--style-1 is-layout-constrained wp-block-group-is-layout-constrained\">\n<figure class=\"wp-block-image size-lg\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"844\" src=\"https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/02_vampyr@franco_barrios_6-1500x844.avif\" alt=\"\" class=\"wp-image-2054\" srcset=\"https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/02_vampyr@franco_barrios_6-1500x844.avif 1500w, https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/02_vampyr@franco_barrios_6-860x484.avif 860w, https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/02_vampyr@franco_barrios_6-1200x675.avif 1200w, https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/02_vampyr@franco_barrios_6-2000x1125.avif 2000w, https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/02_vampyr@franco_barrios_6.avif 2048w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Franco Barrios<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-gallery has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-lg size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"1001\" data-id=\"2056\" src=\"https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/05_vampyr@nicolas_calderon6-1500x1001.avif\" alt=\"\" class=\"wp-image-2056\" srcset=\"https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/05_vampyr@nicolas_calderon6-1500x1001.avif 1500w, https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/05_vampyr@nicolas_calderon6-860x574.avif 860w, https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/05_vampyr@nicolas_calderon6-1200x800.avif 1200w, https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/05_vampyr@nicolas_calderon6-2000x1334.avif 2000w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Nicolas Calderon<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-lg size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"844\" data-id=\"2058\" src=\"https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/03_vampyr@franco_barrios_10-1500x844.avif\" alt=\"\" class=\"wp-image-2058\" srcset=\"https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/03_vampyr@franco_barrios_10-1500x844.avif 1500w, https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/03_vampyr@franco_barrios_10-860x484.avif 860w, https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/03_vampyr@franco_barrios_10-1200x675.avif 1200w, https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/03_vampyr@franco_barrios_10-2000x1125.avif 2000w, https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/03_vampyr@franco_barrios_10.avif 2048w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Franco Barrios<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-lg size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1500\" height=\"1000\" data-id=\"2060\" src=\"https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/07_vampyr@nicolas_calderon2-1500x1000.avif\" alt=\"\" class=\"wp-image-2060\" srcset=\"https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/07_vampyr@nicolas_calderon2-1500x1000.avif 1500w, https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/07_vampyr@nicolas_calderon2-860x574.avif 860w, https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/07_vampyr@nicolas_calderon2-1200x800.avif 1200w, https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/07_vampyr@nicolas_calderon2-2000x1334.avif 2000w\" sizes=\"auto, (max-width: 1500px) 100vw, 1500px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Nicolas Calderon<\/figcaption><\/figure>\n<\/figure>\n<\/section>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"577\" height=\"106\" src=\"https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2025\/04\/logo_conseil-des-arts-du-canada.avif\" alt=\"\" class=\"wp-image-831\"\/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"225\" height=\"225\" src=\"https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/logo-fta.avif\" alt=\"\" class=\"wp-image-2088\" style=\"width:199px;height:auto\" srcset=\"https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/logo-fta.avif 225w, https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/logo-fta-150x150.avif 150w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Credits<\/h2>\n\n\n\t<div id=\"block_bce922e19d6c60522b98b23453c9bc04\" class=\"wp-block__accordion\">\n\n\t\t<div class=\"accordion\">\n\t\t\t\t\t\t\t\n\t\t\t\t\t<div class=\"accordion__item\">\n\t\t\t\t\t\t<h3 class=\"accordion__item__header\">\n\t\t\t\t\t\t\t<button type=\"button\"\n\t\t\t\t\t\t\t\taria-expanded=\"false\">\n\n\t\t\t\t\t\t\t\t<span class=\"accordion__item__header__question\">\n\t\t\t\t\t\t\t\t\tArtistic and Technical Teams\t\t\t\t\t\t\t\t<\/span>\n\n\t\t\t\t\t\t\t\t<span class=\"accordion__item__header__arrow\">\n\t\t\t\t\t\t\t\t\t<svg class=\"svg svg--plus-accordion\" role=\"presentation\" viewBox=\"0 0 15 15\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n  <line x1=\"7.75\" x2=\"7.75\" y2=\"15\" stroke=\"black\" stroke-width=\"1\"\/>\n  <line x1=\"15\" y1=\"7.75\" x2=\"-6.55671e-08\" y2=\"7.75\" stroke=\"black\" stroke-width=\"1\"\/>\n<\/svg>\n\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t<div class=\"accordion__item__content\" hidden>\n\t\t\t\t\t\t\t<div class=\"accordion__item__inner\">\n\t\t\t\t\t\t\t\t<div class=\"accordion__item__text\">\n\t\t\t\t\t\t\t\t\t<p>A production of <strong>Manuela Infante<\/strong><br \/>\nScript, Directing and Sound Design <strong>Manuela Infante<\/strong><br \/>\nInterpretation <strong>David Gaete\u00a0et Marcela Salinas<\/strong><br \/>\nSet Design, Lights, Props and Costumes <strong>Rocio Hern\u00e1ndez<\/strong><br \/>\nAssistant Director and Technical Director <strong>Pablo Mois<\/strong><br \/>\nChoreography and Training <strong>Dian C. Guevara<\/strong><br \/>\nSound <strong>V\u00edctor Mu\u00f1oz<\/strong><br \/>\nResearch and Dramaturgy <strong>Camila Valladares<\/strong><br \/>\nCostume Confection <strong>Elizabeth P\u00e9rez<\/strong><br \/>\nProduction Manager <strong>Carmina Infante G\u00fcell<\/strong><\/p>\n<p>Coproduction\u00a0<strong>Centro Cultural Matucana 100, Espacio Checoeslovaquia, Centro Cultural de Espa\u00f1a, NAVE (Santiago), Beykoz Kundura (Istanbul)<\/strong><br \/>\nWith the support of the <strong>Universidad<\/strong>\u00a0<strong>Academia Humanismo Cristiano, Oxiluz Iluminaci\u00f3n, Cultura Violeta (Santiago)<\/strong><\/p>\n<p>Presented in collaboration with<strong>\u00a0Maison Th\u00e9\u00e2tre et le Festival TransAm\u00e9rique<\/strong><\/p>\n<p>Cr\u00e9ation au Centro Cultural M100, Santiago, le 22 ao\u00fbt 2024<\/p>\n<p>Traduction\u00a0<strong>David Dalgleish<\/strong><\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\n\t\t\t\t\t<div class=\"accordion__item\">\n\t\t\t\t\t\t<h3 class=\"accordion__item__header\">\n\t\t\t\t\t\t\t<button type=\"button\"\n\t\t\t\t\t\t\t\taria-expanded=\"false\">\n\n\t\t\t\t\t\t\t\t<span class=\"accordion__item__header__question\">\n\t\t\t\t\t\t\t\t\tA few questions for Manuela Infante\t\t\t\t\t\t\t\t<\/span>\n\n\t\t\t\t\t\t\t\t<span class=\"accordion__item__header__arrow\">\n\t\t\t\t\t\t\t\t\t<svg class=\"svg svg--plus-accordion\" role=\"presentation\" viewBox=\"0 0 15 15\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\">\n  <line x1=\"7.75\" x2=\"7.75\" y2=\"15\" stroke=\"black\" stroke-width=\"1\"\/>\n  <line x1=\"15\" y1=\"7.75\" x2=\"-6.55671e-08\" y2=\"7.75\" stroke=\"black\" stroke-width=\"1\"\/>\n<\/svg>\n\t\t\t\t\t\t\t\t<\/span>\n\t\t\t\t\t\t\t<\/button>\n\t\t\t\t\t\t<\/h3>\n\n\t\t\t\t\t\t<div class=\"accordion__item__content\" hidden>\n\t\t\t\t\t\t\t<div class=\"accordion__item__inner\">\n\t\t\t\t\t\t\t\t<div class=\"accordion__item__text\">\n\t\t\t\t\t\t\t\t\t<p><strong>The show is hilarious, but also very cynical. Is it inspired by a true story ? When did you first hear about wind turbines affecting the populations of bats ?<\/strong><\/p>\n<p>It\u00b4s absolutely a true story. The territories of South America are subject to extreme forms of exploitation. This has been going on since hundreds of years ago as we all know. But we are now seeing the growth of a new iteration of colonial exploitation: it has been called green neo-colonialism: the perpetuation of practices of extraction and appropriation of colonial logic, which persist under the veil of \u00a0green energy production, what some people call: greenwashing.<\/p>\n<p>In Chile, we often use the term \u00abzonas de sacrificio\u00bb \u2013 sacrifice zones \u2013 to describe areas that have been devastated by exploitation. I find this expression very telling, because it points to the fact that certain lives and territories are treated as expendable in the name of economic development. My work tries to show that these sacrifice zones are inhabited \u2013 by dense constellations of life, death, and exploitation. In that sense, the vampire is the perfect figure: a creature made up of many parts, embodying ambiguity and a kind of undefined existence. As it\u2019s put in the piece: \u00abpart dead, part alive, part human, part animal, part earth.\u00bb<\/p>\n<p>I find the concept of sustainability deeply problematic. Even the term itself contains a trap:\u00a0\u00abto sustain\u00bb\u00a0\u2013\u00a0but to sustain what exactly?\u00a0All too often, it\u2019s\u00a0about\u00a0sustaining -perpetuating- the\u00a0same system that depletes both human and non-human resources. It feels more like a technological shift in the mechanisms of exploitation \u2013 and sometimes, simply a shift in who gets to exploit whom.<\/p>\n<p>Colonialism destroyed entangled cosmologies in which the human and the non-human weren\u2019t seen as separate. But these ways of thinking have survived. I see theatre as a place for that resistance, where such imposed categories can be challenged. So inventing a \u00abvampiro sudaka\u00bb \u2013 a Latin American vampire \u2013 becomes an act of disobedience. It\u2019s not some posh European Dracula, sitting in his library. Our vampire is a wild, hybrid creature that breaks apart colonial notions of identity.<\/p>\n<p>Donna Haraway argues that, to exploit the other, you first have to symbolically kill it \u2013 by cutting yourself off from it, turning it into something external. \u00abI\u2019m human, that\u2019s animal\u00bb; \u00abI\u2019m culture, that\u2019s nature\u00bb. Those separations are what make exploitation possible in the first place. That\u2019s why we need to question such categories \u2013 they were created to justify colonial appropriation.<\/p>\n<p>There\u2019s growing fascination with the non-human \u2013 especially in artistic and academic circles in the Global North. But what\u2019s often overlooked is that the very lines we now try to blur were once drawn to enable colonial practices.\u00a0If we understand colonialism as the appropriation and exploitation of an Other, then we can recognize that it is dependent on these separations: human from non-human, nature from culture. That\u2019s why the \u00absudaka\u00bb vampire is more than a poetic image. It is an act of resistance, a way of disobeying that inherited\u00a0colonial\u00a0logic\u00a0 \u2013 a logic that still runs deep in how we see, think, and act today.<\/p>\n<p>During rehearsals, we often talked about\u00a0exhaustion\u00a0\u2013 not just in terms of energy, but in a deeper, existential sense. What does it mean to feel\u00a0exhausted? What is energy? How does it circulate? Energy is not just a\u00a0resource\u00a0to be extracted \u2013\u00a0it\u2019s something that connects beings, that entangles forms of life to each other. And it deserves a way of existing that goes beyond mere utility.<\/p>\n<p><strong>We are immediately drawn in by the performers\u2019 body language. This isn\u2019t the first time you\u2019ve worked on anthropocentric themes. Do fauna and flora particularly inspire your movement work?<\/strong><\/p>\n<p>Rehearsals were a kind of collective exploration of the indeterminate, and they began even before the text emerged. I wanted to find out how, through performativity and physical work, we\u00a0could subvert\u00a0the idea of fixed beings \u2013 of individuals as coherent, self-contained, clearly defined subjects.<\/p>\n<p>How can we question this rigid, monocultural idea that you have to be identical with yourself? In theatre, there\u2019s often this assumption that a character needs to be consistent \u2013 to have a clear, stable identity. But in this project, I\u2019m exploring the opposite: beings that resist coherence, that are permeable, open, porous. Together with the performers, we explored how this state can be embodied on stage.<\/p>\n<p>We\u2019ve been working with a concept by Peruvian anthropologist Marisol de la Cadena that I really like \u2013 the idea of the \u00abnot only\u00bb. The notion that everything is what it is \u2013 and not only that. She calls it a \u00abnegative lever\u00bb: when we say a cup is a cup \u2013 and not only \u2013 we open up a space where the\u00a0fixing of that identity can be interrupted. I\u2019m interested in how fragility can be embodied: that sensation of drifting, of being entangled in something you can\u2019t control.<\/p>\n<p>This is exactly what we explored in rehearsals: How do you embody an animal \u2013 and not only? What does it mean to be human \u2013 and not only? The physicality that emerges is the result of constantly shifting, expanding, slipping beyond what is being represented in the moment. When we work on the physicality of an animal, there is also \u2013 subtly \u2013 the presence of an elderly person. But not only. A dead body resonates in the movement too. The performers continuously play with these layers, resisting any clear-cut or fixed reading of what they represent.<\/p>\n<p>This creates\u00a0a body that is\u00a0constantly shifting \u2013 vibrating,\u00a0indeterminate, never fully fixed. The two performers put themselves in a highly exposed position, because the work they do on stage is neither comfortable nor familiar. It\u2019s deeply performative: it happens in the here and now of each performance. Together, we developed specific techniques to keep this movement alive in the body \u2013 this active resistance to any closed or final definition.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\n\t\t\t\t\t\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\n\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\n\t<\/div>\n\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-8f761849 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"992\" height=\"1395\" src=\"https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/manuela-infante-@max-zerrahn.avif\" alt=\"\" class=\"wp-image-2090\" srcset=\"https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/manuela-infante-@max-zerrahn.avif 992w, https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/manuela-infante-@max-zerrahn-860x1209.avif 860w\" sizes=\"auto, (max-width: 992px) 100vw, 992px\" \/><figcaption class=\"wp-element-caption\">\u00a9 Max Zerrahn<\/figcaption><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<h3 class=\"wp-block-heading\">About Manuela Infante <\/h3>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<p class=\"wp-block-paragraph\">Director, playwright, and musician Manuela Infante G\u00fcell&nbsp;is considered one of the most influential voices in contemporary Latin American theatre, thanks to her revolutionary, non-anthropocentric approach that challenges the binary division of nature and culture. Her work has been presented in almost twenty countries across the Americas, Europe, and Asia. In 2019, she became the first Chilean director to be invited to Venice\u2019s Biennale Teatro with&nbsp;<em>Realismo<\/em>&nbsp;and&nbsp;<em>Estado Vegetal<\/em>. As a scriptwriter, she has worked with renowned Chilean filmmakers such as Francisca Alegria, Marialy Rivas, and Sebasti\u00e1n Lelio.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Vampyr<\/em>&nbsp;pursues the exploration of post-human theatre that she began in&nbsp;<em>Estado Vegetal&nbsp;<\/em>(FTA&nbsp;2020) and&nbsp;<em>C\u00f3mo convertirse en Piedra<\/em>, which focused on the vegetable and mineral worlds. In her latest work, South American vampires become agents of resistance in the fight against extractivism and green neocolonialism. Her critique of the European vampire legend targets the colonial mindset, which creates artificial boundaries between the human and non-human worlds. This distinction offers a pretext for the exploitative practices that are now ravaging the nations of the Global South.&nbsp;<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>There are rumours. There was an incident Friday morning. An incident which prompted the report. The impact report. The environmental impact report. It is important to talk to everyone. The night workers. The wind turbine company directors. And do not forget the bats. Discover the incredible physical play of actors&nbsp;David&nbsp;Gaete&nbsp;and&nbsp;Marcela&nbsp;Salinas in this ecogothic satire. The [&hellip;]<\/p>\n","protected":false},"featured_media":2053,"template":"","class_list":["post-2688","event","type-event","status-publish","has-post-thumbnail","hentry","category-shows"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Vampyr | Shows | Festival Carrefour<\/title>\n<meta name=\"description\" content=\"Vampyr will be presented at the La Bord\u00e9e Theatre in Quebec City, on June 3 and 4 2026 during the Festival Carrefour.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/carrefourtheatre.qc.ca\/en\/cultural-shows-quebec-city\/vampyr-en\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Vampyr | Shows | Festival Carrefour\" \/>\n<meta property=\"og:description\" content=\"Vampyr will be presented at the La Bord\u00e9e Theatre in Quebec City, on June 3 and 4 2026 during the Festival Carrefour.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/carrefourtheatre.qc.ca\/en\/cultural-shows-quebec-city\/vampyr-en\/\" \/>\n<meta property=\"og:site_name\" content=\"Festival Carrefour\" \/>\n<meta property=\"article:modified_time\" content=\"2026-05-14T19:07:30+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2025\/03\/og_festival_carrefour.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"675\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data1\" content=\"4 minutes\" \/>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Vampyr | Shows | Festival Carrefour","description":"Vampyr will be presented at the La Bord\u00e9e Theatre in Quebec City, on June 3 and 4 2026 during the Festival Carrefour.","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/carrefourtheatre.qc.ca\/en\/cultural-shows-quebec-city\/vampyr-en\/","og_locale":"en_US","og_type":"article","og_title":"Vampyr | Shows | Festival Carrefour","og_description":"Vampyr will be presented at the La Bord\u00e9e Theatre in Quebec City, on June 3 and 4 2026 during the Festival Carrefour.","og_url":"https:\/\/carrefourtheatre.qc.ca\/en\/cultural-shows-quebec-city\/vampyr-en\/","og_site_name":"Festival Carrefour","article_modified_time":"2026-05-14T19:07:30+00:00","og_image":[{"width":1200,"height":675,"url":"https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2025\/03\/og_festival_carrefour.jpg","type":"image\/jpeg"}],"twitter_card":"summary_large_image","twitter_misc":{"Est. reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/carrefourtheatre.qc.ca\/en\/cultural-shows-quebec-city\/vampyr-en\/","url":"https:\/\/carrefourtheatre.qc.ca\/en\/cultural-shows-quebec-city\/vampyr-en\/","name":"Vampyr | Shows | Festival Carrefour","isPartOf":{"@id":"https:\/\/carrefourtheatre.qc.ca\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/carrefourtheatre.qc.ca\/en\/cultural-shows-quebec-city\/vampyr-en\/#primaryimage"},"image":{"@id":"https:\/\/carrefourtheatre.qc.ca\/en\/cultural-shows-quebec-city\/vampyr-en\/#primaryimage"},"thumbnailUrl":"https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/01_vampyr@-franco_barrios_principal.avif","datePublished":"2026-02-17T10:00:00+00:00","dateModified":"2026-05-14T19:07:30+00:00","description":"Vampyr will be presented at the La Bord\u00e9e Theatre in Quebec City, on June 3 and 4 2026 during the Festival Carrefour.","breadcrumb":{"@id":"https:\/\/carrefourtheatre.qc.ca\/en\/cultural-shows-quebec-city\/vampyr-en\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/carrefourtheatre.qc.ca\/en\/cultural-shows-quebec-city\/vampyr-en\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/carrefourtheatre.qc.ca\/en\/cultural-shows-quebec-city\/vampyr-en\/#primaryimage","url":"https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/01_vampyr@-franco_barrios_principal.avif","contentUrl":"https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2026\/02\/01_vampyr@-franco_barrios_principal.avif","width":1920,"height":1080,"caption":"\u00a9 Franco_Barrios"},{"@type":"BreadcrumbList","@id":"https:\/\/carrefourtheatre.qc.ca\/en\/cultural-shows-quebec-city\/vampyr-en\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Accueil","item":"https:\/\/carrefourtheatre.qc.ca\/en\/"},{"@type":"ListItem","position":2,"name":"Events","item":"https:\/\/carrefourtheatre.qc.ca\/en\/cultural-shows-quebec-city\/"},{"@type":"ListItem","position":3,"name":"Vampyr"}]},{"@type":"WebSite","@id":"https:\/\/carrefourtheatre.qc.ca\/en\/#website","url":"https:\/\/carrefourtheatre.qc.ca\/en\/","name":"Festival Carrefour","description":"Le plus grand festival d\u2019arts vivants \u00e0 Qu\u00e9bec","publisher":{"@id":"https:\/\/carrefourtheatre.qc.ca\/en\/#organization"},"alternateName":"Le plus grand festival d\u2019arts vivants \u00e0 Qu\u00e9bec","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/carrefourtheatre.qc.ca\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/carrefourtheatre.qc.ca\/en\/#organization","name":"Festival Carrefour","url":"https:\/\/carrefourtheatre.qc.ca\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/carrefourtheatre.qc.ca\/en\/#\/schema\/logo\/image\/","url":"https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2025\/03\/og_festival_carrefour.jpg","contentUrl":"https:\/\/carrefourtheatre.qc.ca\/wp-content\/uploads\/2025\/03\/og_festival_carrefour.jpg","width":1200,"height":675,"caption":"Festival Carrefour"},"image":{"@id":"https:\/\/carrefourtheatre.qc.ca\/en\/#\/schema\/logo\/image\/"}}]}},"_links":{"self":[{"href":"https:\/\/carrefourtheatre.qc.ca\/en\/wp-json\/wp\/v2\/event\/2688","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/carrefourtheatre.qc.ca\/en\/wp-json\/wp\/v2\/event"}],"about":[{"href":"https:\/\/carrefourtheatre.qc.ca\/en\/wp-json\/wp\/v2\/types\/event"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/carrefourtheatre.qc.ca\/en\/wp-json\/wp\/v2\/media\/2053"}],"wp:attachment":[{"href":"https:\/\/carrefourtheatre.qc.ca\/en\/wp-json\/wp\/v2\/media?parent=2688"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}